The Quintessence of a Dog

 The Quintessence of a Dog

By Bobby Neal Winters

I’ve been back in my workshop, back working with wood.  I aim to be an artisan, not an artist.  Indeed, to be recognized as an artisan would be a great step forward for me as a hobbyist. 

But I have made a discovery: If you aspire to be an artisan, you must open yourself to be at least a little bit of an artist. 

To be either, I need to put in a lot more practice.  In order to do this, I’ve set up some projects.

Don’t tell my grandsons, but I am carving them a set of chessmen for Christmas. Before you set the wrong image in your head, let me explain that this isn’t the usual King, Queen, Bishop, Knight, Rook, Pawn setup.  

It’s a country chess set.  I am carving it out of one inch by one inch by four inch balsa wood.

Instead of the King and Queen, I’ve got a farm couple, or farm couples, I should say, because I am making them different from each other.  One man is wearing a cowboy hat and his wife is wearing a bonnet.  The other man is wearing a baseball cap and his wife’s hair is uncovered.

Instead of Knights, I am giving one side dogs and the other side cats. Instead of bishops, I am giving them preachers. If I can figure out how to carve collars, I will make one side Catholic and the other Protestant. 

Rooks, at this point, are undecided.

Outhouses have been suggested, and I am fond of that suggestion.  I think they will be easy to carve in a recognizable way--and that is important as I will explain later--and that they will be cute.  For the other side, I am thinking of milk tanks because--in my mind--the man with the cap and the woman with the flowing hair are dairy farmers. That is why they have cats.  However, they are not easily recognized.

Let me now explain why that is important.

I am in an interesting phase of my craft. When I carve, say, a dog, I will show it to a nice person to ask what they think. They look at it, study it carefully, and say, “What a cute...dog?”

I will then heave a sigh of relief, and say, “Yes, yes, a dog.”

Let me just say, it takes a lot of work to carve even something that looks barely like a dog, and to do it on a small piece of wood.

I am mentioning dogs rather than cats because they have been harder for me.  It’s the noses, the snouts.  

All cats' noses look alike--at least at the point of view of someone with my tiny skill set--but dogs have a huge variety of snouts. They have all sorts of lengths and all sorts of angles.  If you are just a tiny bit off with a short nose, you go from dog to pig. And that’s no good.

I’ve had to do some thinking about what makes a dog look like a dog, what makes a cat look like a cat, what makes a farmer look like a farmer etc.

To make a dog look like a dog, I’ve had to stop worrying about making it a realistic dog. For me, the snout can’t be realist, or, as has been mentioned, we slide the slippery slope down into pig-hood. 

The snout must be--at least a little--cartoonish.

At my low level of carving skill, the photo-reality of a dog is in tension with the dog’s quintessence. And the quintessence has got to win if someone untutored beforehand looks at it and says, “What a cute dog!” with the exclamation point there instead of a question mark.

What makes a dog--in my opinion at least--is its snout AND its ears.  For the cat, it’s the ears and the tail.  Whiskers add a bit as well, but it is hard to tell in a small medium.

At the end of this, I will have increased my skill set a bit. I know this because I’ve gotten better already.  And my grandsons will have something to remember grandpa by.  

And I hope they will have evidence that they themselves will always be able to learn something new. And that I love them. And that those are dogs.

Bobby Winters, a native of Harden City, Oklahoma, blogs at redneckmath.blogspot.com and okieinexile.blogspot.com. He invites you to “like” the National Association of Lawn Mowers on Facebook. Search for him by name on YouTube.